![]() ![]() At 5" deep it's never going to produce a stadium snare sound, but within its optimum tuning range we couldn't find anything in its performance worth criticising.STAGE SOUNDS KEYBOARD & PERCUSSION PROGRAMMING FOR MUSICAL THEATERĪt StageSounds, we offer keyboard AND percussion programming using Apple MainStage for a variety of musicals. For all of the show listed below, we have MainStage concert files for each keyboard and/or percussion part in the orchestration. Unwanted buzzes or pings are notable for their absence, while rimshots are served up with an authentic metallic tang. It's a sweet-sounding drum crisp, articulate and wonderfully responsive. The snare outperforms its budget status comprehensively. Fitting twin-ply heads influenced the sound further, encouraging fatter and deeper notes all round. Swapping the supplied clear UK heads for American coated Ambassadors smoothed out some of the aggression, adding warmth to the equation. Their fast sizes ensure quick responses whilst also enabling hassle-free tuning. This attacking edge is equally present in the toms. Poplar is often compared with birch and this drum punches through in the manner of a (substantially pricier) birch drum. The presence of the pillow rids it of any overtones and also ensures that the note doesn't linger. This feature makes setting up the bass drum for the first time and extracting a decent tone from it refreshingly simple.Ĭonsidering its contemporary dimensions, it's no surprise to find that it delivers a big sound. While not being of quite the same standard as Remo's US-made counterparts they are vastly superior to the gossamer-thin unbranded heads sometimes found at this level.Īlso included is a muffling pillow for the bass drum, which, when attached with supplied self-adhesive strips of Velcro, just touches the batter and resonant heads. The drums are shod with a full set of Chinese-made Remo UK heads. They are fairly compact models but are all double-braced and contain pro-style details such as a disappearing boom arm.Īlso included is an entertaining instructional DVD presented by Stephen Perkins, who puts in a star turn. Most of the stands are sourced from PDP's 700 Series. Obvious cost implications prevent this feature from being carried comprehensively over the kit, with the tension rods standing out in particular, but the black elements do add visual sophistication.Ī hardware pack consisting of bass drum pedal, hi-hat stand, snare stand, straight and boom cymbal stands and a stool is supplied with the kit. Along with the hoops and some of the brackets, the lugs are black-coated. Instead of the familiar PDP oval lugs the drums are fitted with a new design of low-mass lug. Both wraps look and feel up to scratch and reflect highlights within the finely-grained sparkle pattern. By chance, the review kit was accidentally sent out with examples of both colours - the snare being Black wrapped while the rest of the kit is Bronze. These sizes - particularly the depths - reflect current kit trends exactly, making an immediate positive impression.Ī choice of two wrapped finishes - Black Metallic and Bronze Metallic - provides the only decision-making point for the kit. A single shellpack is available and is made up of 22"x18" bass drum, 14"x5" snare, 10"x8" and 12"x9" toms and a 16"x14" floor tom. ![]() The Mainstage contains everything, bar cymbals, needed to start playing. Between them, PDP and DW ought to be able to cater for every subsequent stage of a drummer's career, so it makes sense to win them from the off. The Chinese made Mainstage kit would indicate a desire on PDP's part to grab customers the moment they pick up the sticks for the first time. ![]() Most of PDP's existing kits are aimed at attracting drummers ready to trade up to their second or even third kit. ![]()
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